THE CHARLES BARGUE DRAWING COURSE
PART
I. Drawing - using Graphite on White Paper, students learn to copy 20 Bargue plates with
accuracy. First in the same size, then in enlarged format, making an effort to maintain the exact proportions of the
original so as to sharpen observation and seeing skills. Learn to see and render shapes and values and how to turn form.
Training in seeing techniques for achieving accuracy. Copy Master Drawings from the flat to the flat.
PART
II. Cast
Drawing - using Graphite and White Chalk on
Toned Paper, students draw basic and complex forms from the round
(from life). Rather than leaving the white of the paper for
the lighted areas of an object as in Part I, students now learn to ADD the lights with White Chalk while reserving the tone
of the paper for the middle values. Learn to achieve the illusion of 3-dimensional realism on the 2-dimensional flat.
19th CENTURY ATELIER TRAINING - OIL PAINTING
PART III.
Level 1. Monotone Painting - using Ivory Black and Titanium White oil paints, students
learn to handle the various brushes, brush strokes, how to mix paint and use a medium, and how to paint values and model form
in paint. Painting the five degrees of light. Fat over lean rule.
Paint using the basic Alla Prima painting technique.
Level 2. Duotone Painting - using Ivory Black, Titanium White
and Burnt Umber students learn to correctly see and paint warm and cool colors.
Understanding color temperature, light, form, and shadow. Understanding
proper oil painting procedures.
Level 3. Full Color Painting - using
a Limited Palette of the three Primary Colors, plus Black and White. Understanding these 5 pigments and their properties.
Color mixing. Color theory. Color relationships.
Painting studies in high key and low key.
Level 4. Painting the Still Life - with a full palette. Covers concept, setup, lighting, choosing objects, color hamony, mood and color scheme.
Spatial relationships, depth, air, controlling the movement of
light, pattern of darks. Understanding opaque, transparent and semi-transparent pigments and their effects. Uses of Impasto, Glazing,
Grisaille, Sfumato and Velatura techniques in painting.
Level 5.
Drapery and Folds. How to paint the character and appearance of various fabrics such as heavy drapery material, soft silk, satin, gauze, lace,
velvet, etc. Painting light distribution on varous textures and surfaces. Layering and scumbling techniques.
Level
6. Portrait
Studies. Learn how to construct the head and its features. How to paint
eyes, hair, etc. and various skin tones. Posing and lighting the model. Painting Master copies and working from life.
Level 7.
Painting an Animal Portrait. Animal
Surface Anatomy. Learn how to paint fur and feathers. Master copies. Learn how to work from photos - their
limitations and advantages.
Level 8. Figure Studies. Gestuire, contrapposto, proportions
and surface anatomy. Concept, lighting and mood. Master copies.
Level 9. Painting the Landscape. Aerial perspective, light conditions, weather conditions, time
of day, How to achieve the illusion of distance, foreground, middlleground and background. Color in the landscape.
How to paint from a reference photo.
Level 10. Graduation Painting. Students conceive and paint a picture on
their own, using all they have learned. Final group crique and individual critique by instructor. Certificate
of Completion Ceremony - celebrating the considerable achievement of the (now accomplished!!) painters.